Big Apple Circus: Back on its Feet, but Fastened to Tradition - CircusTalk

Circus News

Big Apple Circus: Back on its Feet, but Fastened to Tradition

A familiar blue tent is cozied amidst the daunting buildings of Lincoln Center. The Big Apple Circus has returned to Damrosch Park for a 41st season!
It was a perfectly crisp fall evening. As I crossed Broadway, I smiled. My annual sojourn to the Big Apple Circus is one of my favorite nights of the year. I felt gratitude to those who have resurrected and excited that a new generation gets to sit under the big top. A mother said to her daughter, “You know how long it’s been since I saw the circus? Years! Since I was little, like you. Now I’m bringing you…your first time to the circus!” My heart melted a bit, and I felt the great importance of this national pastime. Yes! We need traditional circus! In a country where identity and customs are often piecemeal, our national traditions are precious. The tent is bright with promise, but real weight sits upon this season’s show. ...
Thanks for reading CircusTalk.News.
Create your free account or log in to continue reading.
Sign upLogin

Madeline Hoak

Madeline is a NYC based performer, producer, professor, and choreographer specializing in aerial, acrobatics, dance and movement direction. She is an adjunct professor of Aerial Arts at Pace University, on staff at Aerial Arts NYC and The Muse Brooklyn and initiated the Aerial program at Muhlenberg College where she taught from 2011 - 2017. Her movement direction contributed to Circle Theater NYC’s production of The Mountain winning Outstanding Original Choreography/Movement, 2015. She co-choreographed The Battles, a musical voted by Broadway producer Ken Davenport one of the top 10 new scripts of 2016. Madeline's choreography has been presented at Dixon Place, Circus Warehouse, BAX, The House of Yes, Abron Arts Center, Times Square, The Flea, STREB, Galapagos, and The Muse. She received BAs in Dance and Theater from Muhlenberg College and is currently studying at NYU’s Gallatin school of Individualized Study where she is designing a master’s degree in circus studies with a focus on dramaturgy and creative processes.