Circus Arts Hub Launches With Resources for the Circus World

Circus News

Circus Arts Hub Launches With Resources for the Circus World

Circus Arts Hub is the brainchild of Australia’s Antonella Casella,  an original member of Rock n’ roll and Vulcana Women’s Circus, and current-day senior artistic director of Circus Oz. Like many of us, Casella has tried to make good use of the downtime during the pandemic by setting up new, creative ways for circus artists and producers to connect.

The Circus Arts Hub’s tagline is “Collaborate With the World’s Leading Circus Creators” and they work to facilitate that by offering resources, videos, consultations and panel discussions among industry professionals.

Responding to the unprecedented hardships that the environment (via wildfires) and the pandemic have created in Australia recently, Casella says, “At this difficult time, amidst COVID-19, the Australian funding body for the arts released a devastating set of funding round decisions. Many were questioning individual decisions, others the overall issue of years of decreasing funding. Leading Australian arts journalist, Ben Eltham, had this response in a recent article titled ‘We are witnessing a cultural bloodbath in Australia that has been years in the making’ in the Guardian (April 6,2020), ‘The answers are both complex, and simple. Historical precedent, conservative antipathy to arts funding, and enduring beliefs that artists are not really deserving and that culture is not a real industry all play a part.'”

Is this the Australian way? It is not inevitable. Many other cultures do value the arts.

In response, Casella asks, “Is this the Australian way? It is not inevitable. Many other cultures do value the arts. Why do we seem to struggle with this in Australia? Circus artists can be particularly vulnerable because we are already relative newcomers to arts funding. Our sector, filled with independent artists who make their living, and thrive,  performing for small to medium, fiercely loyal, audiences across the country have been immediately and significantly impacted, and while we are a resilient sector, full of invention and currently embracing digital possibilities, it is heartbreaking to feel that we are not properly supported.”

Casella urges us to dig deeper, describing the concerns of the Australian circus arts community in response to government measures regarding COVID-19 relief, arts funding and support for independent artists, stating,”The Australian arts community is deeply concerned that the federal government’s income relief package, ‘JobKeeper’ is not designed to provide adequate support for independent artists who operate as sole traders. It is vitally important that our artists are properly supported at this time, and Theatre Network Australia, and the National Association for the Visual Arts are both working to address this situation. Visting the Facebook page Australian Arts Amidst Covid-19 is the best way for Australian artists to access local information and discuss our specific issues.”
Listen to our interview with her to discover more about the Circus Arts Hub initiative:

Related content: The Australian Circus Influence via Antonella Casella of Circus Oz

Kim Campbell
Writer -USA
Kim Campbell has written about circus for CircusTalk.News, Spectacle magazine, Circus Now, Circus Promoters and was a resident for Circus Stories, Le Cirque Vu Par with En Piste in 2015 at the Montreal Completement Cirque Festival. They are the former editor of CircusTalk.News, American Circus Educators magazine, as well as a staff writer for the web publication Third Coast Review, where they write about circus, theatre, arts and culture. Kim is a member of the American Theater Critics Association.
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Kim Campbell

Kim Campbell has written about circus for CircusTalk.News, Spectacle magazine, Circus Now, Circus Promoters and was a resident for Circus Stories, Le Cirque Vu Par with En Piste in 2015 at the Montreal Completement Cirque Festival. They are the former editor of CircusTalk.News, American Circus Educators magazine, as well as a staff writer for the web publication Third Coast Review, where they write about circus, theatre, arts and culture. Kim is a member of the American Theater Critics Association.