The More We Learn, The Less I Know - CircusTalk

Circus News

The More We Learn, The Less I Know

From July 3rd  to 13th 2018, over twenty  thinker-doers  from a dozen countries, all practitioners and scholars of contemporary circus and/or other performing arts, converged onto Montréal during the Montréal Complètement cirque festival to participate in Concordia University’s intensive summer graduate seminar taught by Prof. Louis Patrick Leroux and titled “Experiential learning in Contemporary Circus Practice: Methods in research-creation, action-research and participant observation.” For two weeks, they attended lectures and seminars in the mornings, then in the afternoon, had studio time to work on their presentations or to attend participant-observation sessions as part of a larger research project, and of course, they attended performances in the evening.
In addition to their brief research-creation presentations, the students each produced two to three blogs during this period. We are offering a selection of those blogs. Some are candid, heartfelt, others analytical, some are critical takes, others are musings on students’research. They give a snapshot of what was on people’s minds during the summer intensive.Prof. Leroux and his teaching assistant, Alisan Funk, have also contributed original material to complement the students’ blogs. Check back every Friday until the New Year for an updated article from one of the participants! When Professor Louis Patrick Leroux asked “what is your research or artistic obsession?” I immediately realized what he meant. All the (possible) relations between circus and theatre are for me both an obsession and a true addiction, which probably originated when I saw the show that blew my mind with contemporary circus:  ...
Thanks for reading CircusTalk.News.
Create your free account or log in to continue reading.
Sign upLogin

Gaia Vimercati

Gaia Vimercati (1990) got a MA Degree in Comparative Literature at Trinity College Dublin and a BA degree in Modern Languages and Literatures at the University of Milan. She works as a cultural project manager for Quattrox4, a circus organization based in Milan which promotes contemporary circus through its practice (courses, seminars, residency programs) and its vision (shows, work-in-progress presentations). Together with Filippo Malerba, she created CENSIMENTO CIRCO ITALIA (2015), the first map of circus companies in Italy. Since 2017 she is the curator of FUORI ASSE- circo contemporaneo a Milano, a showcase of contemporary circus shows organized in cooperation with theaters in Milan. Her main research topics revolve around the relations between contemporary circus and dramaturgy. She was among the contributors of Semiotics of the Circus (2015) and in 2018 she attended the project Research Creation Methods in contemporary circus at Concordia University (Montreal, Canada).