Never Alone: Dualities of Circus Tradition and Innovation - CircusTalk

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Never Alone: Dualities of Circus Tradition and Innovation

“This is for you,” said director Bence Vági, handing me a printed paperback book whose cover showed blurred black and white images of human male forms in motion. It bore the title of the show we were meeting to discuss, Recirquel’sNon Solus (Not Alone). The book is full of artful production imagery and peppered with poems that Vagi wrote throughout the process. Metaphor abounds in  Non Solus, and the multiple dualities represented in and of themselves demonstrate the sentiment that no one person, or for that matter idea, is alone.
Coincidentally, Non Solus was not alone in representing current approaches to circus to New York audiences when the show presented at the Brooklyn Academy of Music (BAM).  Non Solus  is as much about its subject, the body/soul duality, as it is an experiment combining formal dance and circus traditions. So while this article will focus on the details of Non Solus, to me the show is best appreciated in relationship to the shows that neighbored its visit to New York. During the same February weekend, at The New Victory Theater, Australian company G...
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Nicki Miller

Nicki Miller is an NYC based director and performer known for her theatrical take on aerial arts. She is co-founding artistic director of Only Child Aerial Theatre (ASYLUM NYU Skirball CN:ICE, Framework INSITU Site-Specific Dance Festival). Her work as aerial designer and choreographer has most notably been included in Ripe Time’s The World is Round at the Brooklyn Academy of Music (BAM) directed by Rachel Dickstein. Recently Nicki was assistant director of 5th Wall Studio's Breaking Surface in NYC. She has also been a resident artist at Cirkus Cirkör (Sweden), the 2016/17 New Victory LabWorks Program, the Santa Barbara Floor to Air Festival, Circus Sessions at Toronto's Harbourfront Centre, the Contemporary Circus Arts Festival of Toronto, and was the recipient of the Glenn P. Davis Aerial Choreographer’s scholarship award for the 2018 Frequent Flyers’ Aerial Dance Festival in Colorado. In 2017 Nicki spent two months in Europe assisting and observing projects at the Edinburgh Fringe Festival and Shakespeare's Globe, as well as advanced training with Frantic Assembly. She also completed a creative residency in Sweden, where she also shadowed Cirkus Cirkör director Olle Strandberg on the premiere of his new show Under. Nicki is a graduate of Syracuse University's College of Visual and Performing Arts. She is also a freelance director, aerial theatre consultant, and educator. www.nickimiller.com