Midnight Circus tours every fall in public parks around Chicago. I’ve worked with the company on-and-off since I was 14 years old–more than half my life. The same can be said for many members of the cast. As a result, the relationship between the artists, the directors, and our friends and loved ones is extremely familial. The back-lot of the circus is the setting for much of our lives lived together–a setting we create ourselves, inhabit, and dismantle. To be there is to experience a hyper-real lifecycle that, inevitably, ends far too soon.
The circus back-lot is an exceptionally romantic and emotional place, of course, but one that is also tedious and uncomfortable. It is a workplace that feels more like a secret clubhouse, where the deepest confidences are shared beneath the roar of the crowd. Embedded among the cast, with a surfeit of time, familiarity, and access, I have the leisure to capture these fleeting and intimate moments that few will ever get to see up close. I shoot on an old iphone 6. I’ve broken and repaired the screen twice in the two-and-a-half years I’ve owned it. My phone’s storage is always low because I never delete anything. In this way, my phone is like an old film camera–I have to be selective with the shots I take, lest I run out of space when I come across a good photo opportunity. My back-lot pictures are exclusively in black-and-white and portrait orientatio...
Thanks for reading CircusTalk.News.
Create your free account or log in to continue reading.Sign upLogin